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Abbe Henri Breuil's studies of prehistoric rock paintings in Southern Africa are "among the richest and most varied records yet discovered of early man." Breuil copied by tracing; the Trianon Press reproduces his work by the collotype and hand-stencil process, using photographs to document each plate. In all, six volumes of the Abbe's remarkable scholarship were produced.

I. THE WHITE LADY OF THE BRANDBERG with the collaboration of Mary E. Boyle and Dr. E.R. Scherz. Paris and London: The Trianon Press (1966) 4to, tan cloth; 22 colour plates; 33 photographs. Fine in dust jacket. One of 800 copies.

For this issue of a work printed first in 1955, the Boyle preface is specially written. "Of all the sites which the late Abbe Breuil studied in Southern Africa, the White Lady frieze is the most beautiful and aesthetically satisfying." First in the series devoted to the Rock Paintings of Southern Africa. Breuil initially went to Africa in 1929, and Boyle worked with him for nearly 40 years. The White Lady is situated in the remote Brandberg mountains of SW Africa, discovered by chance in 1917. $125.00

II. PHILIP CAVE with the collaboration of Mary E. Boyle and Dr. E.R. Scherz. London: Abbe Breuil Publications (1957) 4to. 31 plates by colour collotype and hand-stencil printed by Hourdebaigt, Trianon Press and Beaufume; 30 photographs; 19 pages of reproductions, including one double page, the text printed by Spottiswoode, Ballantyne & Co. Ltd in London and Colchester. Designed by Arnold Fawcus and produced by theTrianon Press. First edition, fine.

This work reveals an interesting and hitherto little-known frieze in the Erongo region of South-West Africa, which bears a close affinity to the paintings in the White Lady shelter some 90 miles to the north-west.

A) Quarter leather, Arches pure rag paper, 1/110 signed by Breuil. $450.00

B) Blue cloth, in dust jacket. One of 1200 copies. $110.00

III. THE TSISAB RAVINE AND OTHER BRANDBERG SITES with the collaboration of Mary E. Boyle, Dr. E.R. Scherz and R.G. Strey. Published by The Calouste Gulbenkian Foundation through Trianon Press (1959) 4to. 77 plates, including one double-page; 50 photographs, including two double-page photo-montages. A separate chapter documents recent discoveries in the upper and western reaches of the Brandberg, with 39 more photographs and copies of painted rock sites, some of them extremely important. First edition, fine. One of 1000 copies.

The Brandberg was first mapped in 1917 by the German surveyor Maack, who discovered the "White Lady". This map remained the only one in existence until 1955. Breuil camped in the Brandberg in 1947 and again in 1948. The volume in hand documents a great number of painted rock shelters clustered near the White Lady.

A) Quarter leather, on pure rag paper, one of 146 [unnumbered/ unlettered copy] signed by Breuil. $750.00

B) Brick colored cloth, in dust jacket. One of 1000. $200.00

IV. ANIBIB & OMANDUMBA AND OTHER ERONGO SITES with the collaboration of Mary E. Boyle, Dr. E.R. Scherz and R.G. Strey. [Paris:] Published by TheCalouste Gulbenkian Foundation through Trianon Press (1960). 4to, blue green cloth; 80 plates, including 2 double-page; 72 figures and 55 photographs reproduced in monochrome collotype, with a further 17 photographs of sites in Omandumba West discovered after the Abbe's last visit in 1950. First edition, fine in dust jacket. One of 800 copies.

Breuil visited the region in 1948. The introductory text includes the Abbe's detailed explanatory notes on each painting. Anibib and Omandumb, together with Springbokfontein, are neighbouring properties in the Erongo mountain range of South-West Africa. $200.00

V. SOUTHERN RHODESIA / The District of Fort Victoria and Other Sites with the collaboration of Mary E. Boyle. Foreword by Roger Heim. Published by The Singer- Polignac Foundation through the Trianon Press [Chateau de Boissia, Clairvaux, Jura and Paris] (1966) 4to, green cloth; 63 colour plates; 19 photographs; 3 line illustrations. First edition, fine in dust jacket. One of 388 copies.

Breuil visted Rhodesia (then Southern Rhodesia) in 1948 and 1950. His study reveals affinities with the White Lady, and traces of immigrants from the north several thousand years before the white settlers of our own time. Most of the paintings here have never before been published and are largely unknown. Regions include Dandabari, Chamavara, Mbara, The Chibi Reserve; the "White Rhino" shelter; Nswatugi, Makumbe and Goromonzi. TheAbbe traced from the rock face whenever possible, "often under extremely difficult conditions. " $450.00

VI. THE SPHINX And WHITE GHOST SHELTERS And Other Spitzkopje Sites with the collaboration of Mary E. Boyle and Dr. E.R. Scherz. Preface by Arnold Fawcus. Paris and London: The Trianon Press (1975) 4to, brick colored cloth; 64 plates; 41 figures. First edition, fine. One of 300 copies.

The final volume in the series, and by far the scarcest. The only volume entirely produced after Breuil's death and without his supervision, utilizing the diaries of Breuil and Boyle. Edited by Mary Laing and Barbara Sessions. Mary Boyle died in December 1974, just before publication, and this volume is published in memoriam / "The Abbe's lifelong friend and assistant without whose help this series would not have been published."

The research was accomplished by the Abbe in September, 1948. Topography of the sites is included, together with descriptions of the plates. "The present volume is of particular interest since it contains both the Abbe's copies and excellent photographs of mythical figures, such as 'sphinx-gryphons', and of various profiles and non-indigenous features. These astonishing paintings lend strong support to the Abbe's hypothesis discussed in earlier volumes regarding the dating and origin of certain figures throughout South-West Africa and in Rhodesia to whom Breuil attributed either semitic, nilotic, or mediterranean ancestry --- or, alternatively, a common ancestry to the east of the Red Sea."

NB! We have several copies of each of the other titles in this series, but of this title, we have only a single example. $500.00

1. ALL RELIGIONS ARE ONE. Facsimile of the unique copy at the Huntington Library, with description and bibliographical statement by Geoffrey Keynes. Paris: The Trianon Press, 1970. 4to, quarter morocco, marbled boards, slipcase. Ten plates in color collotype and stencil. One of 600. Very fine. $200.00

2. BLAKE'S ILLUSTRATIONS OF DANTE. Paris: The Trianon Press for the William Blake Trust (1979) Oblong folio, quarter morocco, cloth. The first accurate reproduction of Blake's seven engravings for the DIVINE COMEDY, first published in an edition of 120 in 1838. This new edition has an introduction and commentary by Geoffrey Keynes; three facsimiles of early states, and monochrome reproductions of Blake's watercolor designs for the plates. Blake's last engraved work
   
   

   A) One of 20 copies numbered XIX-XXXVIII, bound in half-morocco; matching case, with material showing the states of the making of the facsimile; with an extra set of plates. $2000.00
   

   B) One of 376; quarter morocco; slipcase. $600.00

   
   

3. THE BOOK OF AHANIA. Lonon: The Trianon Press for the Blake Trust, 1974. 4to, quarter morocco spine, marbled boards, slipcase Six plates, three in color, with bibliographical history of the original by Geoffrey Keynes. One of 750. Very fine. $125.00

4. THE BOOK OF LOS. London: The Trianon Press for the Blake Trust, 1976. 4to, marbled boards, morocco spine, slipcase. One of 480, reproduced from the unique copy in the British Museum. Very fine. $200.00

5. THE BOOK OF THEL. A facsimile of the Library of Congress copy, with description and bibliographical statement by Sir Geffrey Keynes. London: The Trianon Press for The William Blake Trust, 1965. Small 4to, quarter leather, marbled boards, slipcase. Eight plates in color collotype and stencil. One of 380. Very fine. NB! We have only one copy. $750.00

6. THE GATES OF PARADISE. For Children. For the Sexes. With an introductory volume by Geoffrey Keynes with Blake's preliminary sketches. London: The Trianon Press for the Blake Trust, 1968. Three volumes, red cloth, matching slipcase. With sixteen plates of collotype reproductions and fifty-three 2-tone reproductions with platemark impressed from hand-bevelled copper plates. One of 700 sets. Very fine. $250.00

7. JERUSALEM. Facsimile of the Rinder copy; foreword by Sir Geoffrey Keyns. London: Published by The trianon Press for The William Blake Trust (1953) . Royal 8vo, cloth, t.e.g., dust jacket. With one color and 100 black and white plates, reproduced in heliogravure. The text of JERUSALEM is also reproduced, in letterpress. One of 2500. Very fine. $75.00

8. JERUSALEM / The Emanation of the Giant Albion. London: Published by the Trianon Press for the Blake Trust, 1974. Twenty-five plates together with facsimiles of four color proofs of great interest; a handcolored facsimile of the Cunliffe original, which was one of only two examples colored by Blake himself.
   
   Folio, full blue morocco, gilt, t.e.g; slipcase. Hairline crack at the crown, rear hinge; otherwise very nice. This copy was specially bound by Sangorski & Sutcliffe for Sir Maxwell Stirling, with his arms on the cover, heir to the owner of the original from which this facsimile was made. Unique. $3500.00
   
   Folio, quarter morocco, marbled boards; slipcase. One of 500, very fine. $650.00

9. THE MARRIAGE OF HEAVEN AND HELL. Facsimile of the Library of Congress Copy. With description and bibliographical statement by Geoffrey Keynes. London: The Trianon Press for The William Blake Trust, 1960. Folio, quarter morocco, marbled boards, slipcase. 27 plates in color collotypeand stencil. One of 240 for distribution in the United States, of 526 in all. Very fine. $750.00

10. MILTON a Poem. London: The Trianon Press for The William Blake Trust, 1967. Small 4to, quarter leather, marbled boards, t.e.g., slipcase. Description and bibliographical statement by Geoffrey Keynes. 50 plates in color collotype facsimile, with another plate reproducing the rare "Preface". None of the four extant copies has all plates, so this is the first complete edition. One of 380 on Arches, each page watermarked with Blake's monogram. Very fine. $900.00

11. THE SONG OF LOS. London: The Trianon Press for the Blake Trust, 1975. 4to, quarter morocco, marbled boards, slipcase. The eight plates contain much color printing and technically proved the sternest challenge of the series. Some of the pages required five collotype printings, followed by 28 color applications by hand through stencils. One of 400. Very fine. NB! We have only one copy. $750.00

12. THERE IS NO NATURAL RELIGION. London: The Trianon Press for the William Blake Trust, 1972. Two volumes. Quarter morocco, marbled boards, matching slipcase. 20 plates reproduced in color collotype with hand stencilling. One of 590 sets. Very fine. $450.00

13. VISIONS OF THE DAUGHTERS OF ALBION. Facsimile of the Cunliffe copy. Bibliographical statement by Sir Geoffrey Keynes. London: The Rrianon Press for The William Blake Trust, 1959. Folio, quarter morocco, marbled boards, slipcase. With eleven color collotype plates. One of 400 (unnumbered retained Press copy). Very fine. $750.00

14. WATER-COLOUR DESIGNS FOR THE POEMS OF THOMAS GRAY. Facsimile, with an introduction and commentary by Geoffrey Keynes. London: TheTrianon Press for the Blake Trust, 1972. Folio [42 x 33 cm]. 116 plates reproduced by collotype and hand stencil on 99Arches paper, with 44 pages of text, and with three additional printings to reproduce Blake's pencillings and the tone of the paper. This is the first edition of these magnificent designs; the work was not printed in Blake's lifetime and is here reproduced directly from his manuscript. Blake at his least somber. It is unlikely that a facsimile of this importance and technical perfection will appear again.
    

    A) Three volumes, quarter morocco, marbled boards, slipcases. One of 220. $3000.00
    

    B) Portfolio format, sheets in large morocco case, with the plates loose for mounting, display or teaching purposes. One of 132. $2750.00

SAMUEL PALMER / A Vision Recaptured: The Complete Etchings and the Paintings for Milton and for Vergil. Published by Trianon Press Facsimiles for the William Blake Trust. 1978. Small 4to, original illustrated wrappers, 88pp. 23 plates. 1/2000 with one facsimile of a Palmer etching. Very fine.

Foreword by Ronald Lightbown; Introduction by Sir Geoffrey Keynes and Arnold Fawcus. Essays by Raymond Lister and Graham Reynolds, with a Catalogue of the Etchings, Chronology and Selected Bibliography. $45.00

1. HAGGADAH FOR PASSOVER. Copied and Illustrated by Ben Shahn. With a Translation, Introduction and Historical Notes by Cecil Roth. Boston: Little, Brown / Paris: Trianon Press (1965) 4to, white cloth lettered in gold. (xx) 133pp. Very fine. $175.00

2. ECCLESIASTES Or The Preacher. Handwritten and illuminated by Ben Shahn. NY: Grossman / Paris: Trianon (1971) 4to, green cloth, dust jacket; unpaged. Very fine. This is the trade reissue of the original Trianon edition of 1967. $55.00

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Last updated on September 22, 1997
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